(Rubin manages this risky, awkward move with impressive grace.) Later on, the instrumentalist and the pre-engineered sounds partner up for a memorably precise and glitchy passage. The second duo piece is the album's title track, and it asks for Joshua Rubin's bass clarinet to go into reed-squawk mode. ![]() The fast switches are what keep the piece interesting. At other points, Chase's breathy sound is just a complement to the rampaging crunch of the composer's programming. Over the course of its 13-and-a-half minutes, Chase's flute sometimes often carries the melodic line, while the electronics swoop in big, sine-wave-surfing curves behind her. The opener, "Luciform", is a duo between Diaz de Leon's electronics and flutist Claire Chase (a recent MacArthur "Genius Grant" awardee). In three different pieces that collectively stretch just over 40 minutes, he gives listeners two riff-rollercoaster duos and a 20-minute, chamber-band essay of grim, beguiling beauty. The Soul Is the Arena is Diaz de Leon's latest chamber-music album since Enter Houses Of, and it's both shorter and more all-encompassing. The noise throbbed with snarling exuberance the woodwinds doled out haunting harmonies. His first solo-composer album, Enter Houses Of, was released in 2009 on John Zorn's Tzadik label, and showed him to be adept at weaving opulently distorted electronics with virtuoso acoustic-instrumental parts, written for players drawn from the International Contemporary Ensemble. Plenty of people can write a one-off "amplified" piece for chamber musicians, but few artists have built a language as stable and rewarding as Diaz de Leon's. What makes Diaz de Leon stand out from his peers, though, is his ability to distill these influences into a balanced aesthetic. It's a sound that can make sense on a Liturgy bill. (Diaz de Leon comes by the latter reference point honestly, having collaborated with group member Nate Young in a duo that goes by the name Standard Deviance One.) When he's not working in chamber-music mode, Diaz de Leon also sometimes goes by the moniker Oneirogen-a guise which finds him splitting his attention between an electric guitar and a synth setup, ultimately creating a wash of doomy chords and spacey soundscapes. 08.In that respect, Columbia University composition grad Mario Diaz de Leon is on-trend: the promotional material for his latest release of chamber pieces cites both Stockhausen as well the abrasion specialists in Wolf Eyes.Marcos Balter: Pan, Harmony of the Spheres (2017-18) Marcos Balter: Pan, Pan's Flute (2017-18) Marcos Balter: Pan, Processional (2017-18) Marcos Balter: Pan, Death of Pan (2017-18) Richard Beaudoin: Another Woman of Another Kind (2016) for flute and eight voices Pauchi Sasaki: Gama XV (2016) for two speaker dresses Vijay Iyer: Five Empty Chambers (2016) for five flutes Tyshawn Sorey: Bertha's Lair (2016) for flute and percussion Suzanne Farrin: The Stimulus of Loss (2016) for flutes and ondes Martenot Pauline Oliveros: Intensity 20.15, Grace Chase (2015) Jason Eckardt: The Silenced (2015), a monodrama for solo flute ![]() Nathan Davis: Limn (2015) for bass/contrabass flute and electronics Francesca Verunelli: The Famous Box-Trick (2015) for bass flute and electronics Dai Fujikura: Lila for flute, bass flute and contrabass flute (2015) Du Yun: An Empty Garlic (2013) for bass flute and electronics George Lewis: Emergent (2014) for flute and electronics Felipe Lara: Parabolas na Caverna (2014) for solo flute Felipe Lara: Meditation and Calligraphy (2014) for bass flute Mario Diaz de Leon: Luciform (2013) for flute and electronics Marcos Balter: Pessoa (2013) for six bass flutes Recorded at the Pearson Theater, Berkeley, CA, December 2016–December 2017 TRACKS: Part of flutist Claire Chase's project to commission a modern body of work for the instrument, this 4-CD set features 18 works by 16 composers, including the multi-part album-long composition "Pan" by Brazilian-born Marcos Balter, with works for the entire flute family from piccolo to contrabass flute participants include Tyshawn Sorey, Vijay Iyer, Pauline Oliveros, &c.
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